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Iraq was relatively slow to adopt photography as an industry and art form, due to the religious and social prohibitions on making figurative images. The first camera entered Iraq as late as 1895 when an Iraqi photographer, Abdul-Karim Tabouni, from Basra, returned to Iraq following a trip to India where he had studied the art of photography.
Salīm, N., Iraq: Contemporary Art, Volume 1, Sartec, 1977; Mathaf Encyclopedia of Modern Art and the Islamic World, Online: Shabout, N., "Ghosts of Futures Past: Iraqi Culture in a State of Suspension," in Denise Robinson, Through the Roadbloacks: Realities in Raw Motion, [Conference Reader], School of Fine Arts, Cyprus University, (23-25 ...
Born in Baghdad in 1926 into a poor family, Khaled al-Rahal grew up on Baghdad's streets and alleyways which became an important influence on his life and art. [1] He was an acute observer of daily Iraqi life, and a regular visitor to the Iraqi Museum, established in 1939, where he showed great interest in Iraq's ancient sculptures, particularly Assyrian and Mesopotamian reliefs.
Dr. Wafaa Bilal (Arabic: وفاء بلال [wæfæ bɪlˤɑːlˤ]; born June 10, 1966) is an Iraqi American artist, a former professor at the School of the Art Institute of Chicago and currently an art professor at the Tisch School of the Arts at New York University.
Abdul Qadir Al Rassam, عبد القادر الرسام), 1952 - 1882), was born in Baghdad, Ottoman Empire.He was one of the first generation of Iraqi artists to study abroad and paint in the European style.
Faeq Hassan (also known as Faiq Hassan, Fayiq Hassan or Faik Hassan) (1914–1992) was an Iraqi painter noted for founding several 20th century art groups, which collectively were responsible for bridging the gap between Iraqi heritage and traditional art and modern art. He is often called the 'father of Iraqi modern art.'
Pages in category "Iraqi artists" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. A. Ahmad al-Dhaki al-Mawsili;
Said provided evidence that Baghdadi was the earliest Iraqi artist to combine the Eastern tradition of miniature art with Western art methods, thereby predating the modern Iraq art movement by almost a century. [2] He was a Sufi (Muslim mystic) of the Mawlawi order, [3] who was a master calligrapher in the Persian tradition. [4]
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