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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
Pipa. This instrument appeared two thousand years ago. Pipa is a general name. Playing the instruments with the hand forward or backward controls whether the sound is pi or pa. [3] In Tang dynasty, pipa was popular in the palace. Emperors as well as ordinary families all played pipa in daily life. Many paintings of that time show the pipa.
The Nanguan pipa is held in the ancient manner like a guitar which is different from the near-vertical way pipa is now usually held. The mouthpiece of the Xiao flute. Nanguan ( Chinese : 南管 ; pinyin : Nánguǎn ; Pe̍h-ōe-jī : Lâm-kóan ; lit. 'southern pipes'; also nanyin , nanyue , xianguan , or nanqu ) is a style of Chinese classical ...
Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... The plural of pipa, a Chinese stringed instrument;
The other reference to the liuqin is the tu pipa (土琵琶), literally meaning unrefined pipa, because of the aforementioned diminutive size and resemblance of the liuqin to the pipa. Throughout its history, the liuqin came in variations ranging from two (which only had a range of one and a half octaves) to four strings.
It was noted as a particularly outstanding virtuoso performance by Tang Yingceng (湯應曾), [3] and it is possible that this piece is an early version of "Ambush from Ten Sides". The actual piece of music with the title "Ambush from Ten Sides" first appeared in 1818 in the collection of lute music scores Nanbei Erpai Miben Pipapu Zhenzhuan ...
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