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Sackcloth (Hebrew: שַׂק śaq) is a coarsely woven fabric, usually made of goat's hair. The term in English often connotes the biblical usage, where the Hastings' Dictionary of the Bible remarks that haircloth would be more appropriate rendering of the Hebrew meaning.
In Biblical times, it was the Jewish custom to wear a hairshirt (sackcloth) when "mourning or in a public show of repentance for sin" (Genesis 37:34, [14] 2 Samuel 3:31, [15] Esther 4:1). [16] [17] In the New Testament, John the Baptist wore "a garment of camel's hair" as a means of repentance (Matthew 3:4).
The Three Witches, also known as the Weird Sisters, Weyward Sisters or Wayward Sisters, are characters in William Shakespeare's play Macbeth (c. 1603–1607). The witches eventually lead Macbeth to his demise, and they hold a striking resemblance to the three Fates of classical mythology.
The Sleepwalking Lady Macbeth by Johann Heinrich Füssli, late 18th century. (Musée du Louvre) Act 5, Scene 1, better known as the sleepwalking scene, is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). It deals with the guilt experienced by Lady Macbeth, one of the main themes of the play.
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
In Orson Welles' 1948 film adaptation of Macbeth, the role of King Duncan is reduced. 1.2 is cut entirely as well as generous portions of 1.4. King Duncan is seen briefly in 1.6 as he enters Macbeth's castle amid considerable pomp. The top of 1.4 with its description of Cawdor's execution has been transplanted to this scene.
Ellen Terry as Lady Macbeth is an oil painting by John Singer Sargent, now in Tate Britain, in London. Painted in 1889, it depicts actress Ellen Terry in a famous performance as Lady Macbeth in William Shakespeare 's tragedy Macbeth , wearing a green dress decorated with iridescent beetle wings .
The boy appears in only one scene (4.2). Macduff's son is viewed as a symbol of the youthful innocence Macbeth hates and fears, and the scene has been compared by one critic to the biblical Massacre of the Innocents. He is described as an "egg" by his murderer, further emphasising on his youth before his imminent death.