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Since establishment as an unincorporated territory of the United States in 1898, traditional economics, social structure, nationalism, and culture in Puerto Rico has been affected by Puerto Rico's relationship with the U.S. [10] Before the United States captured Puerto Rico from Spain in 1898, the colony was agriculture based.
The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it included Spanish troubadour, church music, military band music, and diverse genres of dance music cultivated by the jíbaros and enslaved Africans and their descendants.
Cuban and Puerto Ricans in New York invented salsa in the early 1970s, using multiple sources from Latin America in the pan-Latin melting pot of the city. Puerto Rican plena and bomba and Cuban chachacha, son montuno and mambo were the biggest influences, alongside Jamaican, Mexican, Dominican, Trinidadian, Argentinian, Colombian and Brazilian ...
In addition, the mainland South American countries of Guyana, Suriname and French Guiana are generally grouped with the Caribbean countries, as is the non-Caribbean island nation of the Bahamas. The island of Bermuda is not Caribbean, and its folk music is little studied; for convenience, it is included herein though it may or may not be ...
This article lists songs about Puerto Rico, set there, or named after a location or feature of the island.. Because Wikipedia is in written rather than audio format, the lyrics and music are usually the most relevant element of each song; so, when adding or editing a song, please list its lyricist(s) and composer(s) if known.
Areíto or areyto was a Taíno language word adopted by the Spanish colonizers to describe a type of religious song and dance performed by the Taíno people of the Caribbean. The areíto was a ceremonial act that was believed to narrate and honor the heroic deeds of Taíno ancestors, chiefs, gods, and cemis .
Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.
The folklore of Puerto Rico prominently features the blend of music, dance, religion, spirits, monsters, natural forces and the mystery of the unknown. These are often framed within the context of historical circumstances and the multiculturalism that characterizes a military enclave and trading outpost.