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The RGB color model, invented in the 19th century and fully developed in the 20th century, uses combinations of red, green, and blue light against a black background to make the colors seen on a computer monitor or television screen. In the RGB model, the primary colors are red, green, and blue.
The CMYK model adds a black primary to improve the darkness of blacks, where the CMY model can only mix to dark gray or only achieves black inefficiently, i.e. by using lots of the primary pigments. In the CMY model, an equal mixture of cyan and magenta is blue , an equal mixture of magenta and yellow is red and an equal mixture of yellow and ...
Likewise, a blue that is ultramarine at high concentrations appears cyan at low concentrations, allowing it to be used to mix green. Chromium red pigments can appear orange, and then yellow, as the concentration is reduced. It is even possible to mix very low concentrations of the blue mentioned and the chromium red to get a greenish color.
Primary colors of the CMY color model: cyan, magenta, and yellow, mixed to form secondary colors red, green, and blue. The RGB color model is an additive mixing model, used to estimate the mixing of colored light, with primary colors red, green, and blue. The secondary colors are yellow, cyan and magenta as demonstrated here:
The color scheme of François d'Aguilon, where the two simple colors of white (albus) and black (niger) are mixed to the "noble" colors of yellow (flavus), red (rubeus), and blue (caeruleus). Orange (aureus), purple (purpureus), and green (viridis) are each combinations of two noble colors.
The intersection of all three primary colors together yields white. James Clerk Maxwell , with his color top that he used for investigation of color vision and additive color Additive color or additive mixing is a property of a color model that predicts the appearance of colors made by coincident component lights , i.e. the perceived color can ...
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This moves the mixed color toward a neutral color—a gray or near-black. Lights are made brighter or dimmer by adjusting their brightness, i.e., energy level; in painting, lightness is adjusted through mixture with white, black, or a color's complement. The Color Triangle depicting tint, shade, and tone was proposed in 1937 by Faber Birren. [4]