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Dehumanization is the denial of full humanity in others along with the cruelty and suffering that accompany it. [1] [2] [3] A practical definition refers to it as the viewing and the treatment of other people as though they lack the mental capacities that are commonly attributed to humans. [4]
Women and girls develop an expected physical appearance for themselves, based on observations of others; and are aware that others are likely to observe as well. The sexual objectification and self-objectification of women is believed to influence social gender roles and inequalities between the sexes. [59]
The dehumanization of Jews and Israelis in Muslim and Arab discourse, and specifically in Palestinian discourse, takes place (among other ways) by portraying them as various animals (or other biological phenomena) that are considered lowly, repugnant, impure and sometimes also harmful or dangerous, such as pigs, monkeys, snakes, vampires ...
The objectification theory proposed by Barbara Fredrickson and Tomi-Ann Roberts analyzes the female body with consideration to the psychology of women and gender. They assert that objectifying a woman or a girl can cause an increased feeling of anxiety or self-awareness in her, thus affecting her mental health. [5]
Dignity taking is the destruction or confiscation of property rights from owners or occupiers, where the intentional or unintentional outcome is dehumanization or infantilization. [1] There are two requirements: (1) involuntary property destruction or confiscation and (2) dehumanization or infantilization. [2]
Lordosis behavior (/ l ɔːr ˈ d oʊ s ɪ s / [1]), also known as mammalian lordosis (Greek lordōsis, from lordos "bent backward" [1]) or presenting, is the naturally occurring body posture for sexual receptivity to copulation present in females of most mammals including rodents, elephants, cats, and humans.
Laqueur uses this example to explain that female anatomy and sexuality are defined according to "the demands of culture." [49] He concludes that it was "culture and not biology that was the basis for claims bearing on the role and even the existence of female pleasure. The body shifted easily in the eighteenth century from its supposedly ...
The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form. In his work, Ortega explains how the untrained eye, which is used to seeing only content in traditional paintings, must find a new approach to viewing the work of art.