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The first person to approach the issue of literary space from the semiotic point of view was Juri Lotman. [2] According to Lotman, artistic space is only a model of real space, not its copy. He argued that the information provided by the text about space is incomplete and, consequently, space also is not complete.
As the standard negator is used in the above definition of a t-norm/t-conorm pair, this can be generalized as follows: A De Morgan triplet is a triple (T,⊥,n) such that [1] T is a t-norm; ⊥ is a t-conorm according to the axiomatic definition of t-conorms as mentioned above; n is a strong negator
A fuzzy concept is an idea of which the boundaries of application can vary considerably according to context or conditions, instead of being fixed once and for all. [1] This means the idea is somewhat vague or imprecise. [2]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Pseudometric spaces were introduced by Đuro Kurepa [1] [2] in 1934. In the same way as every normed space is a metric space, every seminormed space is a pseudometric space. Because of this analogy, the term semimetric space (which has a different meaning in topology) is sometimes used as a synonym, especially in functional analysis.
In mathematics, Schur's property, named after Issai Schur, is the property of normed spaces that is satisfied precisely if weak convergence of sequences entails convergence in norm. Motivation [ edit ]
Inner product spaces are a subset of normed vector spaces, which are a subset of metric spaces, which in turn are a subset of topological spaces. In mathematics, a normed vector space or normed space is a vector space over the real or complex numbers on which a norm is defined. [1]
The term ‘literariness’ was first introduced by the Russian Formalist Roman Jacobson in 1921. He declared in his work Modern Russian Poetry that ‘the object of literary science is not literature but literariness, i.e. what makes a given work a literary work’ (Das 2005, p. 78).