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Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724.
Gebt mir meinen Jesum wieder! Picander: 43 52: Ev, Jesus, Pilate: E minor → D major 2Vn Va Bc Sie hielten aber einen Rat: Mt 27:7–14: 44 53: Chorale: D major: 2Ft 2Ob 2Vn Va Bc: Befiehl du deine Wege: Paul Gerhardt: 45a 54: Ev, Pilate, his wife: Ch I: Ch II: E major → A minor Bc Auf das Fest aber hatte der Landpfleger Gewohnheit: Mt 27:15 ...
Deutsch: Bach, Matthäuspassion BWV 244, Incipit Nr. 51 Gebt mir meinen Jesum wieder! Date: 10 November 2011: Source: Own work: Author: Wikiwal: Permission ...
The cantata ends with a four-part setting of the chorale, "Meinen Jesum laß ich nicht, geh ihm ewig an der Seiten" (I will not let go of my Jesus, I will walk beside Him forever), [7] with a conjunct melody and active continuo line. [8] The last line is the same as the first, connecting to the beginning of the cantata. [7] [4]
Christian Keymann (also Christian Keimann; 27 February 1607 – 13 January 1662) was a German hymnwriter.He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata Meinen Jesum laß ich nicht, BWV 124, and other compositions.
Meinen Jesum laß ich nicht (I will not let go of my Jesus), [1] BWV 124, is a church cantata written by Johann Sebastian Bach. He composed it in Leipzig for the first Sunday after the Epiphany and first performed it on 7 January 1725.
Several English translations have been made of the hymn, including Catherine Winkworth's "Jesu, priceless treasure" in 1869, [2] and it has appeared in around 40 hymnals. [3] There have been choral and organ settings of the hymn by many composers, including by Johann Sebastian Bach in a motet , BWV 227 , for unaccompanied chorus, and a chorale ...
Johann Sebastian Bach used the 33rd stanza, "Jesu, deine Passion / ist mir lauter Freude" (Jesus, Your passion / is pure joy to me), in his cantata for Palm Sunday, Himmelskönig, sei willkommen, BWV 182, in 1714. [3] [4] In 1724, Bach used three stanzas from the hymn (10, 20, and 34) as commenting chorales in his St John Passion. [5]