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The method involves not crossing the hands when playing the hi-hat (or ride-cymbal) and snare drum simultaneously as opposed to the more traditional way of playing drums which features crossed hands as the basic playing position. [1] Absolute beginners often choose this open-handed way of playing as their first and natural attempt at drumming.
Relating each drum's pitch and sustain to the other drums in the drum set in accordance with the drummer's requirements. When tensioning a head, the tensioning rod closest to the tensioner should be tightened first. The reason for this is to keep an even tension across the drum head, which is impossible to do if the lugs are tightened differently.
Bass drum Muffling the bass can be achieved with the same muffling techniques as for the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag, or other soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows the ...
The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized (Roland, Yamaha, Alesis, for example) or specialized acoustic/electronic cymbals (e.g. Zildjian's "Gen 16 ...
Whichever piece of the drum kit is getting the effect will need at least one microphone set up close to it. Ambient microphones are unnecessary but can be used if desired. The sound can be achieved in acoustically "live" or "dead" rooms, since all reverberation will be done inside the effects unit processor.
The Moeller Method uses the whipping motion, described above, and applies it to the 4 basic strokes of drumming, the Full, Up, Down, and Tap strokes. [6] Using a combination of the basic strokes, in the whipping Moeller style it is possible to play extremely quickly with minimal effort, or to introduce a series of accents into a stream of notes with relative ease. [7]
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There are several central qualities shared by African music and jazz, most prominently the importance of improvisation. [1] Some instrumental qualities from African music that appear in jazz (especially its drumming) include using unpitched instruments to produce specific musical tones or tone-like qualities, using all instruments to imitate the human voice, [2] superimposition of one rhythmic ...
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