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At the time of her death Woolf had yet to correct the typescript of the novel, and a number of critics consider it to be unfinished. [10] The book has a note by Woolf's husband, Leonard Woolf: [6] The MS. of this book had been completed, but had not been finally revised for the printer, at the time of Virginia Woolf's death.
The style of Fyodor Dostoyevsky with his depiction of a fluid mind in operation helped to influence Woolf's writings about a "discontinuous writing process", though Woolf objected to Dostoyevsky's obsession with "psychological extremity" and the "tumultuous flux of emotions" in his characters together with his right-wing, monarchist politics as ...
The novel introduces Clarissa Dalloway, the central character of Woolf's later novel, Mrs Dalloway. Two of the other characters were modelled after important figures in Woolf's life. St. John Hirst is a fictional portrayal of Lytton Strachey, and Helen Ambrose is, to some extent, inspired by Woolf's sister, Vanessa Bell. [7]
Woolf's writing style crosses the boundaries of the past, present and future, emphasizing her idea of time as a constant flow, connected only by some force (or divinity) within each person. An evident contrast can be found between the constant passing of time—symbolized by Big Ben—and the seemingly random crossings of time-lines in Woolf's ...
Flush: A Biography, an imaginative biography of Elizabeth Barrett Browning's cocker spaniel, is a cross-genre blend of fiction and nonfiction by Virginia Woolf published in 1933. Written after the completion of her emotionally draining The Waves , the work returned Woolf to the imaginative consideration of English history that she had begun in ...
The Hours, a 1998 novel by the American writer Michael Cunningham, is a tribute to Virginia Woolf's 1923 work Mrs Dalloway.Cunningham emulates elements of Woolf's writing style while revisiting some of her themes in different settings.
A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. [1] The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge.
The novel is a departure from Woolf's earlier two novels, The Voyage Out (1915) and Night and Day (1919), which are more conventional in form and narration. The work is seen as an important modernist text; its experimental form is viewed as a progression of the innovative writing style Woolf presented in her earlier collection of short fiction titled Monday or Tuesday (1919).