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The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history.Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian ...
The characteristics of Javanese music include: melodies using the Pelog and Slendro (pentatonic) modes; the use of a siter (a plucked stringed instrument), a kendang (a Javanese drum), a kempul (a gong used in gamelan), metal and wood marimbas, gongs, and a unique style of Javanese singing. The songs still follow the binary form used in pop ...
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Gesang Martohartono (1 October 1917 – 20 May 2010) [1] was an Indonesian singer-songwriter from central Java. He is the composer of the "Bengawan Solo," famous song throughout Indonesia, Japan, part of Asia, and some other countries. The song is almost synonymous with the kroncong style of Javanese music.
There are different types of Gamelan orchestras. The most recent development in Suriname's Gamelan music is the inclusion of western musical instrument in a Gamelan orchestra. [7] Pop Jawa. In modern Javanese music, Pop Jawa has become very mainstream. Pop Jawa consists of western instruments mixed with Javanese vocals.
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Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
Shadow Music of Java produced by Karl Signell, Rounder CD 5060. Balinese gamelan. Balinese Music (1991) by Michael Tenzer, ISBN 0-945971-30-3. Included is an excellent sampler CD of Balinese Music. Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer, ISBN 0-226-79281-1 and ISBN 0-226-79283-8.