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The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history.Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian ...
"Bengawan Solo" (lit. "Solo River") is an Indonesian song written by Gesang Martohartono in 1940. The song is a description of the longest river in Java, Solo River.The song became popular in Indonesia during the Second World War and was one of the songs promoted nationally in the newly-independent country after the war.
There are different types of Gamelan orchestras. The most recent development in Suriname's Gamelan music is the inclusion of western musical instrument in a Gamelan orchestra. [7] Pop Jawa. In modern Javanese music, Pop Jawa has become very mainstream. Pop Jawa consists of western instruments mixed with Javanese vocals.
Javanese style court dance and music were, therefore, introduced at the Istana Kuning (the Yellow Palace), the Penyengat palace, the music being that of the gamelan and the dances consisting mainly of the Serimpi and Bedaya, the main classical dances of the central Javanese courts. [10] [11] The 19th-century Riau-Lingga empire was vast.
Javanese dance movement is controlled, deliberate, and refined. Javanese art often displays finesse, and, at the same time, a serene composure which is elevated far above everything mundane. [1] Javanese dance is usually associated with courtly, refined, and sophisticated culture of the Javanese kratons, such as the bedhaya and srimpi dance.
The most ancient and sacred song is the Bedhaya Ketawang. When the bedhaya dancers appear on stage, in Yogyakarta it was accompanied by an ayak-ayakan; in Surakarta, it is only accompanied by a pathetan known as pathetan bedhaya, which has lost much of the rhythmic freedom associated with pathetan s to fit better the stride of the dancers. [10]
Gesang himself would later remark "I had dreamt since my childhood about writing a song of praise for the immortal Solo River." [2] Gesang added "Bengawan Solo" to his repertoire, and it soon became widely popular among the local Javanese community. The song rose to national prominence when recordings of it were aired on local radio stations.
Javanese poetry (poetry in the Javanese or especially the Kawi language; Low Javanese: tembang; High Javanese: sekar) is traditionally recited in song form.The standard forms are divided into three types, sekar ageng, sekar madya, and sekar macapat, also common with the ngoko terms: tembang gedhé, tembang tengahan, and tembang macapat.