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Concerto for cello No. 3 for solo cello (1965) Granville Bantock. Sonata in G minor (1924) Rami Bar-Niv. Improvisation; Arnold Bax. Rhapsodic Ballad (1939) [2] Sally Beamish. Gala Water for solo cello (1988) [3] The Wise Maid [3] Conrad Beck. Epigrams (for Paul Sacher) Grant Beglarian. Elegy for Cellist for solo cello (1979) Paul Ben-Haim ...
Suite for Cello & Piano, Op. 9; 3 Morceaux, Op. 48; Rythmes délaissés; 3 Esquisses for Cello & Piano; Marie Jaëll. Cello Sonata in A minor (1881, rev. 1886) Leoš Janáček. Pohádka or Fairy Tale (1910, rev. 1923) Presto; Daan Janssens. Wie aus der Ferne, for cello & piano (2022) Betsy Jolas. Mon Ami (1974) Petites musiques de chevet (1989)
Cello Concerto No. 1, for solo cello, 17 wind instruments, percussion, and harmonium (1963) (Also orchestrated by Dmitri Shostakovich in 1969) Cello Concerto No. 2, for solo cello, 48 cellos, 12 double-basses, and percussion (1969, arranged for orchestra in 1979) Antoine Tisné. Cello Concerto (1965) Juro Tkalčić. Cello Concerto (1922) Ernst Toch
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
The work was recorded on a Portrait CD by Cybele in 2001, played by the composer, along with chamber music for recorder, clarinet and piano, including Gestural Variations. [3] Hubert Culot wrote in his review: "one of the most substantial pieces in this selection is the Three Pieces for Solo Cello Op.28 completed in 1996 and dedicated to ...
For Hyperion Records, [34] Isserlis has recorded Schumann's music for cello and piano (Dénes Várjon), and the complete solo cello suites by Bach, which has won many awards, including Listeners' Disc of the Year on BBC Radio 3's CD Review, Gramophone's Instrumental Disc of the Year, [35] and "Critic's Choice" at the 2008 Classical Brits.
The movements of Cello Concerto No. 2 are played attacca, [12] meaning the piece continues without breaks between the movements. [14] This was an unusual feature of the concerto. The instrumentation of the orchestral accompaniment to the solo cello is fairly standard, except for the inclusion of the alto saxophone.
Note that works for piano solo (or, for example, cello solo) are in the solo instrumental category, however, works for 2 or more pianos (2 or more cellos, etc.) are in the chamber category. Many pieces by Feldman are titled after the instruments used: for example, Two Pieces for Clarinet and String Quartet is scored precisely for clarinet and ...
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