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The color rendering of a light source refers to its ability to reveal the colors of various objects faithfully (i.e. to produce illuminant metamerism) in comparison with an ideal or natural light source. Light sources with good color rendering are desirable in color-critical applications such as neonatal care [1] and art restoration.
A color rendering index (CRI) is a quantitative measure of the ability of a light source to reveal the colors of various objects faithfully in comparison with a natural or standard light source. Color rendering, as defined by the International Commission on Illumination (CIE), is the effect of an illuminant on the color appearance of objects by ...
Color quality scale (CQS) is a color rendering score – a quantitative measure of the ability of a light source to reproduce colors of illuminated objects. Developed by researchers at NIST [1] the metric aims to overcome some of the issues inherent in the widely used color rendering index (CIE Ra, 1974).
Color Rendering Index (CRI) is determined [9] by the distinctions in the chromaticities of fifteen test color samples (TCS), where objects are illuminated by the light source to be evaluated and a reference illuminant with the same CCT. The higher the CRI value, the smaller the differences between indices will be.
A classic example is the automobile industry: the colorants used for interior fabrics, plastics and paints may be chosen to provide a good color match under a cool white fluorescent source, but the matches can disappear under different light sources (e.g. daylight or tungsten source). Furthermore, because of the differences in colorants ...
The color rendering index of a given source is a measure of that source's ability to faithfully reproduce colors of an object. Light sources, like candles or incandescent light bulbs produce spectrums of electromagnetic energy that closely resemble Planckian black bodies; they look much like natural sources.
There are no actual daylight light sources, only simulators. Constructing a practical light source that emulates a D-series illuminant is a difficult problem. The chromaticity can be replicated simply by taking a well known light source and applying filters, such as the Spectralight III, that used filtered incandescent lamps. [22]
Without color-correction gels, a scene may have a mix of various colors. Applying color-correction gels in front of light sources can alter the color of the various light sources to match. Mixed lighting can produce an undesirable aesthetic when displayed on a television or in a theatre. Conversely, gels may also be used to make a scene appear ...