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Gustav Mahler's Fourth Symphony is the last of the composer's three Wunderhorn symphonies (the others being his Second and Third Symphonies). [1] These works incorporated themes originating in Mahler's Des Knaben Wunderhorn (The Boy's Magic Horn), [2] [3] a song cycle setting poems from the folk poetry collection of the same name. [4]
There are many recordings of Mahler's 4th.. Gustav Mahler photographed by Moritz Nähr in 1907. David S. Gutman reviewed the album in Gramophone in July 1999, comparing it with recordings of the symphony conducted by Lorin Maazel, [3] Colin Davis [4] and Claudio Abbado [5] - the latter also featuring von Stade as soloist - and with a recording of Lieder eines fahrenden Gesellen that von Stade ...
This is a discography of audio recordings of Gustav Mahler's Fourth Symphony. The symphony premiered at the Kaim-Saal in Munich on 25 November 1901. [ 1 ] The symphony's first recording in 1930 by Hidemaro Konoye and the New Symphony Orchestra of Tokyo is the first electrical recording of any Mahler symphony.
Frederica von Stade – Mahler Songs; Mahler Symphony No. 4 discography; Mahler Symphony No. 4 (Claudio Abbado 1978 recording) Mahler Symphony No. 4 (Yoel Levi recording) Mahler Symphony No. 8 discography
Gustav Mahler photographed by Moritz Nähr in 1907.. The musical compositions of Gustav Mahler (1860–1911) are almost exclusively in the genres of song and symphony. In his juvenile years he attempted to write opera and instrumental works; all that survives musically from those times is a single movement from a piano quartet from around 1876–78. [1]
In 1984, Deutsche Grammophon issued the album on CD (catalogue number 413 454-2) with a 20-page insert booklet including photographs of Mahler, Abbado and von Stade, the text of the fourth movement's song in English, French, German and Italian, notes by Richard Osborne in English, notes by Paul-Gilbert Langevin in French and notes by Constantin ...
The melodies for the second and fourth songs of the cycle were incorporated into the First Symphony, which Mahler finished in 1888, at the height of his relationship with Marion von Weber. The intensity of Mahler's feelings is reflected in the music, which originally was written as a five-movement symphonic poem with a descriptive programme.
The fourth symphony by Dittersdorf that is based on Ovid's Metamorphoses: 5: D major: Die Versteinerung des Phineus und seiner Freunde: The Petrification of Phineus and his Friend: The fifth symphony by Dittersdorf that is based on Ovid's Metamorphoses: 6: A major: Verwandlung der lycischen Bauern in Frösche: The Transformation of the Lycian ...