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"Today" is a song recorded by American country music artist Brad Paisley. It was released on October 6, 2016, by Arista Nashville as the first single from his eleventh studio album, Love and War. [1] Paisley co-wrote the song with Chris DuBois and Ashley Gorley, and co-produced it with Luke Wooten.
The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]
"Today" is a song by English band Talk Talk released in June 1982 and is the third single from their debut album The Party's Over. It was the band's first top 20 hit and was their second ever biggest hit, peaking at number 14 on the UK Singles Chart .
"Today" has been included in a few compilation albums. The eighteenth volume of Indie Top 20, a Melody Maker-sponsored compilation series which serves as a "time capsule of U.K. indie music", features "Today" as its fourth track. [30] The song appears on a two-disc MTV Dutch import, Rock Am Ring, a collection of hit singles from the early 1990s ...
"Today" is a song written by Brice Long and Tommy Lee James, and recorded by American country music artist Gary Allan. It was released in June 2009 as the first single from his 2010 album Get Off on the Pain. The song reached number 18 on the U.S. Billboard Hot Country Songs chart in early 2010.
"Not Today" was written by band members Dan Reynolds, Wayne Sermon, Ben McKee, Daniel Platzman as well as Mike Daly. The song was also produced by the band. The song is an acoustic guitar ballad with lyrics that deal with the pain of not being with a loved one. The title, "Not Today", refers to how life will get easier, but not today.
"Today" is a folk rock ballad written by Marty Balin and Paul Kantner from the band Jefferson Airplane. It first appeared on their album Surrealistic Pillow with a live version later appearing on the expanded rerelease of Bless Its Pointed Little Head. Marty Balin said, "I wrote it to try to meet Tony Bennett. He was recording in the next studio.
Rolling Stone Country described the song as "a moody production, underpinned by a programmed beat and choppy piano chords, while icy synthesizer fills lifted from Eighties new wave ratchet up the tension." [2] The song is an expression of unrequited love, with the narrator pleading for an unresponsive lover to "light it up", in reference to his ...