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Seal carving, also seal cutting, or zhuanke in Chinese (篆 刻), is a traditional form of art that originated in China and later spread across East Asia. It refers to cutting a design into the bottom face of the seal (the active surface used for stamping, rather than the sides or top).
Side engraving of a governmental seal of the Song dynasty (c. 1,000 years ago). Remarks shows the issue date and the office of the seal. The history of this art can be traced back as early as the Late Zhou and Qin dynasties when government or official seals had short notations on their side surfaces indicating the owner of the seal (by engraving the owner's name), the maker of the seal (by ...
Seal knob (印 纽), sometimes also seal sculpture, [citation needed] refers to carving or small decorative reliefwork at the top or side of a seal. The associated carving technique is called knob carving ( 纽 刻 ), a traditional technique that originated in ancient China and later spread to other East Asian countries, including Japan and Korea .
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English: Seal of the City of New York, as portrayed by Paul Manship’s standardized version. The seal’s 1.1:1 height-to-width ratio is intentional and representative Manship’s original model. Since Manship’s original was a sculpture rather than a print, there are no official standards for the seal colors.
The Xiling Seal Art Society (Chinese: 西泠印社) is a Chinese arts organisation based in Hangzhou, Zhejiang Province, PRC. It was founded in 1904 but, with antecedents dating back to the Ming and Qing dynasties, is one of China's most important traditional stone seal engraving associations.
Özgüç, Nimet. "Seal Impressions from the Palaces at Acemhöyük." In Ancient Art in Seals, edited by Edith Porada, 61-80. Princeton: Princeton University Press, 1980. Özgüç, Nimet. Kültepe-Kaniš/Neša: Seal Impressions on the Clay Envelopes from the Archives of the Native Peruwa and Assyrian Trader Uṣur-Ša-Ištar Son of Aššur-Imittī.
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