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M is a 1931 German mystery thriller film directed by Fritz Lang and starring Peter Lorre as Hans Beckert, a serial killer who targets children, in his third screen role. Both Lang's first sound film and an early example of a procedural drama, [2] M centers on the manhunt for Beckert conducted by both the police and organized crime.
The following is a sortable list of cinema films which have music by Richard Wagner in their soundtracks (other than films of Wagner's operas themselves). Casual references (and use of the Bridal Chorus from Lohengrin ) are not included.
Following the style of his music for The Lord of the Rings film series, Howard Shore constructed the score for The Hobbit using many strong recognisable musical themes. The musicologist Doug Adams described these as "an encyclopedic network of leitmotifs: dozens of themes that represented cultures, characters, objects, and dramatic concepts in Middle-earth."
The use of characteristic, short, recurring motifs in orchestral music can be traced back to the early seventeenth century, such as L'Orfeo by Monteverdi.In French opera of the late eighteenth century (such as the works of Gluck, Grétry and Méhul), "reminiscence motif" can be identified, which may recur at a significant juncture in the plot to establish an association with earlier events.
Hedwig's Theme" is the leitmotif for the film series. [4] Often labelled as the series's main theme, it first appeared in Harry Potter and the Philosopher's Stone in the track "Prologue". A concert arrangement of the same name is included in the end credits.
A contemporary artist usually sings during the title sequence and an instrumental version of the main track may also be featured as a leitmotif during the film, which repeats in various moods. [34] Writing for Rolling Stone , Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes ...
The first section is the most recognizable and is built around the titular "Hedwig's Theme", which John Williams uses as a leitmotif to represent the magical world. [4] The second section is built around the faster "Nimbus" theme, which Williams uses as a leitmotif to represent Harry's broomstick, the Nimbus 2000 , and more generally, to ...