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The term "stained glass" commonly precedes "window" and is thus linked to architecture both linguistically and conceptually. The autonomous work is more like a painting than a stained glass window, and is a non-traditional use of the medium. [1] One critic somewhat pejoratively calls non-architectural stained glass "uncommissioned panels."
The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
[2] [3] They created large window for St Stephen Coleman Street, London. [2] James Henry Nixon worked on the restoration of the fa amous medieval stained glass at St. Neots in Cornwall as early as 1829. [4] The firm became a favourite of Charles Winston, which helped them gain prestigious commissions like the east window of Lincoln Cathedral. [5]
William Holland's stained glass was exhibited at the Great Exhibition of 1851 which was held in Hyde Park, London, from 1 May to 15 October, and is found in the Official Catalogue . [9] The catalogue lists exhibitors and also a description of various methods used to produce stained glass windows. Glass is found in Section III, Class 24.
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