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Albrecht Dürer: Français : Trois ... This file has been identified as being free of known restrictions under copyright law, including all related and neighboring ...
The work is one of 16 woodcuts in Dürer's Life of the Virgin series, which he executed between 1501 and 1511. Joachim and Anne Meeting at the Golden Gate is the only work in the series to include a date. [1] Throughout the series, the Virgin is displayed as an intermediary between the divine and the earth, yet shown with a range of human ...
Print/export Download as PDF; Printable version; ... Pages in category "Prints by Albrecht Dürer" The following 22 pages are in this category, out of 22 total.
The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria.It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste faciebat Ano Domini 1508 Albertus Dürer Aleman.
The Dresden Altarpiece is a triptych by the German Renaissance artist Albrecht Dürer, executed between 1496 and 1497, and perhaps continued in 1503–1504. It is housed in the Gemäldegalerie Alte Meister of Dresden , Germany.
The Apocalypse, properly Apocalypse with Pictures (Latin: Apocalipsis cum figuris; German: Die heimliche Offenbaru[n]g ioh[an]nis), [1] is a 1498 printed book by Albrecht Dürer containing fifteen woodcuts accompanied by text. The book depicts scenes from the Book of Revelation, and rapidly brought Dürer fame across Europe. [2]
Albrecht Dürer: Complete woodcuts, 026; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 16; Kurth's Complete Woodcuts of Albrecht Dürer, 122; Dürer catalog: a manual about Albrecht Dürer's engravings, etchings, woodcuts, their conditions, editions and watermarks, 117
[3] [6] Both believe Dürer produced the drawing as a study for his 1506 watercolor, The Virgin with a Multitude of Animals. [6] Fritz Koreny, a former curator at the Albertina and a current researcher at the Institute for Art History at the University of Vienna, attributes the drawing to Hans Baldung. [1] Baldung was a student of Dürer.