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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Praying Hands (German: Betende Hände), also known as Study of the Hands of an Apostle (Studie zu den Händen eines Apostels), is a pen-and-ink drawing by the German printmaker, painter and theorist Albrecht Dürer. The work is today stored at the Albertina museum in Vienna, Austria.
Namaste is a praying hands gesture usually coupled with a greeting and a head bow. Nod, tilting the head up and down that usually indicates assent in Western Europe, North America, and the Indian subcontinent, among other places, but a nod also means the opposite in other places, such as Bulgaria. [53]
Praying hands against quasi-stained-glass background. Date: 2006 (SVG) Source: Adapted vectorized version of tiny raster image Image:Praising-hands.png: Author: Original tiny raster by Bastique, vectorization work by Booyabazooka: Permission (Reusing this file)
In the 1940s, his daughter, Rhoda Nyberg, colorized the photo by hand. This version was featured in prints produced during the 1940s onward and became the more widespread and popularly known version of the photo. [4] Enstrom earned a modest sum from the photograph for the remainder of his life until his death in 1968.
A hanging hamsa in Tunisia. The hamsa (Arabic: خمسة, romanized: khamsa, lit. 'five', referring to images of 'the five fingers of the hand'), [1] [2] [3] also known as the hand of Fatima, [4] is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings.
Orans, a loanword from Medieval Latin orans (Latin: [ˈoː.raːns]) translated as "one who is praying or pleading", also orant or orante, as well as lifting up holy hands, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up.
With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt Oil Sketch of an Old Man: c. 1655: Oil on panel: 23 x 18: Private collection: 238: Man in Armour: c. 1655: Oil on canvas: 137.5 x 104.5: Kelvingrove Art Gallery ...