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A Studio at Les Batignolles (French: Un Atelier aux Batignolles) is an oil-on-canvas painting by French Impressionist painter and lithographer Henri Fantin-Latour, created in 1870. It depicts the Batignolles Group at the studio of Édouard Manet in the Batignolles Quarter. The painting was exhibited at the Salon in Paris in 1870.
This 1866 painting depicts the studio Bazille was sharing with Claude Monet at 6 Place de Furstenburg in the 6th arrondissement of Paris in January 1866. It was located near the center of Paris, on the Left Bank, near the Ecole des Beaux-Arts and within walking distance of the Louvre. After Bazille arrived in Paris in 1864, he initially had no ...
The painting is also known as L'Atelier de la rue Condamine, [1] The Studio, and The Studio on the Rue La Condamine. [2] It has been in the collection of the Musée d'Orsay in Paris since 1986. It shows the artist himself surrounded by his friends and paintings in his studio, capturing the artistic and social conditions of Paris in 1870. [3]
At the time the painting was executed Bazille and Renoir shared a Paris studio in rue de la Condamine. [3] The work was completed in March 1870, and submitted for the Paris Salon along with a landscape. However, despite Bazille's hopes, the painting was rejected by the Paris Salon jury. Bazille subsequently never publicly exhibited the work. [4]
The painting is an oil painting on rectangular canvas of 115 by 145 cm. It depicts in detail an imaginary view of the Grande Galerie du Louvre, in Paris. The Gallery features overhead lighting and is segmented into bays by series of double Corinthian columns and transverse arches. It contains numerous works of art: paintings displayed side by ...
Boulevard des Capucines is the title of two oil-on-canvas paintings depicting the famous Paris boulevard by French Impressionist artist Claude Monet, created between 1873–1874. One version is vertical in format and depicts a snowy street scene looking down the boulevard towards the Place de l'Opéra . [ 1 ]
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The painting, inspired by Majas on the Balcony by Francisco Goya, was created at the same time and with the same purpose as Luncheon in the Studio.. The three characters, who were all friends of Manet, seem to be disconnected from each other: while Berthe Morisot, on the left, looks like a romantic and inaccessible heroine, the young violinist Fanny Claus and the painter Antoine Guillemet seem ...