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From 1965 to 1966 an enlarged version of the 1961–1963 North America tour took place in Japan. The Japanese exhibition saw nearly 3 million visitors. [3] Tokyo National Museum, Tokyo, Japan (August 21–October 1965) Kyoto, Japan (October–November 1965) Fukuoka Prefectural Culture Center, Fukuoka, Japan (December 1965–January 1966)
A woman playing the shō. The shō was first used as a solo instrument for contemporary music by the Japanese performer Mayumi Miyata.Miyata and other shō players who specialize in contemporary music use specially constructed instruments whose silent pipes are replaced by pipes that sound notes unavailable on the more traditional instrument, giving a wider range of pitches.
In 1965, the Tutankhamun exhibit traveled to Tokyo National Museum in Tokyo, Japan (21 August–10 October) [163] where it garnered more visitors than the future New York exhibit in 1979. The exhibit next moved to the Kyoto Municipal Museum of Art in Kyoto (15 October–28 November) [ 163 ] with almost 1.75 million visitors, and then to the ...
Rediscovering King Tutankhamen’s tomb. King Tutankhamen came to the throne at 10 years old and ruled ancient Egypt for nine years, from 1,336 to 1,327 B.C., according to Britannica. He died at ...
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The Field Museum was one of six institutions in the United States chosen to host an incredible traveling exhibition in 1977. Its 55 objects once belonged to the young King Tutankhamun whose tomb ...
Much of the revenue from the exhibitions went to support the monuments' relocation [228] and to pay for improvements to the Egyptian Museum. [229] The exhibitions also served other diplomatic functions, helping to improve Egypt's relations with Britain and France after the Suez Crisis in 1956, and with the United States after the Yom Kippur War ...
Reconstruction of full chariot setup in the Milwaukee Public Museum, 2022. A study of Tutankhamun's chariots from 2000 found that the structure of the wheels, the spokes, the materials chosen for the sleeve bearings, the use of animal fat for lubrication and the design as a whole are remarkable, being comparable to European carts of the 19th century AD. [4]
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