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Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
Ottoman miniature (Turkish: Osmanlı minyatürü) is a style of illustration found in Ottoman manuscripts, often depicting portraits or historic events.Its unique style was developed from multiple cultural influences, such as the Persian Miniature art, as well as Byzantine and Mongol art.
Yusuf and Zulaikha (Joseph chased by Potiphar's wife), by Behzād, 1488. A Persian miniature (Persian: نگارگری ایرانی negârgari Irâni) is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa.
The oldest manuscript of this style dates back to 1273 with Ibn Butlan's Banquet of the Physicians (Ambrosian Library, A.125 Inf.). One of the most exemplary manuscripts of this style is the Maqamat of Vienna , probably painted in Egypt in 1334 .
The painting support used by the artists of Armenian miniatures was the same as the material used for the pages of the manuscripts: parchment, until the 12th century, or paper; the latter, already present in the 10th century, was then used the most (56% of manuscripts in the 12th century, 66% in the 14th century, 80% in the 15th century) and ...
Guler style is defined by rounded faces, refined lines, and a sensitive depictions of nature. [52] Kangra paintings represent the pinnacle of Pahari miniatures, and Himalayan art, characterised by mature technical finesse, and portraitural quality that imparts an almost pulsating softness of music, emotions, and colours.
Miniature art includes paintings, engravings and sculptures that are very small; it has a long history that dates back to prehistory. The portrait miniature is the most common form in recent centuries, and from ancient times, engraved gems , often used as impression seals , and cylinder seals in various materials were very important.
Alexander Bening, Adoration of the Magi, before 1483, British Library. The Ghent–Bruges school is a distinctive style of manuscript illumination which was prevalent in the Southern Netherlands (mainly present-day Belgium) from about 1475 to about 1550, [1] by which point the long tradition of manuscript miniature painting was virtually extinct, displaced by the printed book.
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