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The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
This is a depiction of the Sacred Heart of Jesus by Catholic visionary Margaret Mary Alacoque. Margaret Mary Alacoque, a Visitation Sister in Paray-le-Monial, France, claimed to have experienced visions of Jesus Christ during which he showed her his Sacred Heart. On 2 March 1686, she wrote to her Superior, Mother Saumaise, that the Jesus wished ...
The sculpture captures the moment when Jesus, taken down from the cross, is given to his mother Mary. As is common in art, she looks younger than the mother of a man in his thirties; indeed, this Mary arguably looks younger than her son Jesus; art historians believe Michelangelo was inspired by a passage in the Divine Comedy by the Italian ...
Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
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Mary meeting Jesus on the Via Dolorosa, the Fourth station of the Cross which can be found in Luke 23:27 (See John 19:25 for context); The Crucifixion of Jesus on Mount Calvary in Matthew 27, Mark 15, Luke 23, and especially John 19; Jesus's Descent from the Cross in Matthew 27, Mark 15, Luke 23, and John 19;