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[71] According to the historian Nell Irvin Painter, people's skin colour did not carry useful meaning; what mattered is where they lived. [72] Herodotus described the Scythian Budini as having deep blue eyes and bright red hair [73] and the Egyptians – quite like the Colchians – as melánchroes (μελάγχροες, "dark-skinned") and ...
The name derives from Tell al-'Ubaid in Southern Mesopotamia, where the earliest large excavation of Ubaid period material was conducted initially by Henry Hall and later by Leonard Woolley. [29] In South Mesopotamia the period is the earliest known period on the alluvial plain although it is likely earlier periods exist obscured under the ...
The golden hair ribbons that decorate Queen Puabi's hair (or wig) is arguably one of the most prominent pieces of her headdress. To support the weight of the headdress and comply with the norm of intricate hairstyles during the Early Dynastic period, Queen Puabi most likely wore a wig or hairpiece. [ 5 ]
Painting on pottery, of which a great deal survives, gives some sense of the aesthetics of Greek painting. The techniques involved, however, were very different from those used in large-format painting. It was mainly in black and gold and was painted using different paints than the ones used on walls or wood, because it was a different surface.
Sumerian dignitary, Uruk, circa 3300-3000 BCE. National Museum of Iraq. [3] [4] Fragment of a Bull Figurine from Uruk, c. 3000 BCEVotive sculptures in the form of small animal figurines have been found at Uruk, using a style mixing naturalistic and abstract elements in order to capture the spiritual essence of the animal, rather than depicting an entirely anatomically accurate figure.
All the males, with the exception of one that is bald and clean shaven, have long hair rendered in two symmetrical halves that frames the smooth surfaces of the cheeks and forehead. The large eyes, which are undoubtedly the most striking stylistic feature that the statues share in common, are made from inlays of white shell and black limestone ...
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
Blue was considered the color of mourning and the color of barbarians. Julius Caesar reported that the Celts and Germans dyed their faces blue to frighten their enemies, and tinted their hair blue when they grew old. [19] Nonetheless, the Romans made extensive use of blue for decoration.