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Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman. The original Swedish title is Smultronstället , which literally means "the wild strawberry patch" but idiomatically signifies a hidden gem of a place, often with personal or sentimental value, and not widely known.
Ernst Ingmar Bergman [a] (14 July 1918 – 30 July 2007) was a Swedish film and theatre director and screenwriter. Widely considered one of the greatest and most influential film directors of all time, [1] [2] [3] his films have been described as "profoundly personal meditations into the myriad struggles facing the psyche and the soul". [4]
Victor David Sjöström was born on 20 September 1879 in Årjäng/Silbodal, in the Värmland region of Sweden. [2] He was only a year old when his father, Olof Adolf Sjöström, moved the family to Brooklyn, New York.
Bergman: A Year in a Life, Swedish: Bergman - ett år, ett liv, is a 2018 Swedish-Norwegian documentary film directed by Jane Magnusson.Journeying through 1957, the year Ingmar Bergman released two of his most acclaimed features (The Seventh Seal and Wild Strawberries), made a TV film (Mr. Sleeman Is Coming) and directed four plays for theatre (The Misanthrope, Counterfeiters, The Prisoner ...
The Seventh Seal (1957) Night Light (1957) The Halo Is Slipping (1957) Encounters in the Twilight (1957) Wild Strawberries (1957) The Jazz Boy (1958) The Magician (1958) More Than a Match for the Navy (1958) Crime in Paradise (1959) Heaven and Pancake (1959) The Virgin Spring (1960) On a Bench in a Park (1960) Through a Glass Darkly (1961 ...
Mountain Strawberries 4 (Korean: 산딸기 4), also known as Wild Strawberries 4, is a 1991 South Korean film directed by Kim Su-hyeong. It was the fourth entry in the Mountain Strawberries series. Synopsis
The Seventh Seal (Swedish: Det sjunde inseglet) is a 1957 Swedish historical fantasy film written and directed by Ingmar Bergman.Set in Sweden [3] [4] during the Black Death, it tells of the journey of a medieval knight (Max von Sydow) and a game of chess he plays with the personification of Death (Bengt Ekerot), who has come to take his life.
Marie (Nilsson) is a successful but emotionally distant prima ballerina in her late twenties. During a problem-filled dress rehearsal day for a production of the ballet Swan Lake she is unexpectedly sent the diary of her first love, Henrik (Malmsten), a college boy whom she met and fell in love with while visiting her Aunt Elizabeth and Uncle Erland's house on a summer vacation thirteen years ago.