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Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is ...
The use of lancet windows is found in the Early Gothic architecture of France, at Saint-Denis, and Sens and Senlis cathedrals. At Chartres and Laon cathedrals lancet windows are grouped beneath the rose windows. Tall narrow lancets are also found in radiating groups in the chancel apses of some churches, such as Chartres Cathedral.
Windows sometimes were constructed in the classical form of a pointed arch, which is denominated an "equilateral arch", while others had more imaginative forms that combined various geometric forms (see #Forms). One common form was the lancet window, a tall and slender window with a pointed arch, which took its name from the lance. Lancet ...
The figures in the windows were often surrounded by white glass to frame them and make them stand out. Superimposed medallions, in a form called "Legendaire", became a common feature. Lancet windows became another common feature of the windows. Instead of having multiple figures, lancet windows had only a single figure, surrounded by white.
A lancet arch has a radius longer than their breadth (width) and resembles the blade of a lancet. [59] [60] In the 12th-century First Pointed phase of Gothic architecture (also called the Lancet style) and before the introduction of tracery in the windows in later styles, lancet windows predominated Gothic building. [61]
Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.
The high windows also had a strikingly complex design; in the nave, each was composed of four tall lancet windows, topped by three small roses; while in the transept the upper windows have as many as eight separate lancets. [9] The vaults have the exceptional height of 42.4 m (139 ft).
English: Saint Cornelius and Angel, stained glass lancet windows by Tiffany Studios, c. 1910, installed in the Pennsylvania Academy of the Fine Arts Date Taken in 2012