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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
Canticle of Simeon (Nunc dimittis) Canticle of the Blessed Virgin (Magnificat) Canticle of the Three Children; Careworn Mother Stood Attending; Come, Creator Spirit; Come Down, O Love Divine; Come, Holy Ghost; Come, Lord, and Tarry Not; Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me ...
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.
In the context of Christian liturgy, a canticle (from the Latin canticulum, a diminutive of canticum, "song") is a psalm-like song with biblical lyrics taken from elsewhere than the Book of Psalms, but included in psalters and books such as the breviary. [1]
Mary Mack's mother's making Mary Mack marry me, My mother's making me marry Mary Mack. I'm gonna marry Mary so my Mary will take care O' me, We'll all be feeling merry when I marry Mary Mack. Now there's a nice wee lass and her name is Mary Mack, Make no mistake she's the girl I gonna take, And a lot of other fella's would get upon her track,
The Hyde version of the hymn specifically, which is more commonplace than its counterpart, has been used in at least three hymnals, [6] [7] and was the version used in a cover of the hymn by the Catholic religious sisters congregation, the Daughters of Mary, Mother of Our Savior, for their likewise-named 1998 album "Mary of Graces". [8] [9]
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.
"The Bells of St. Mary's" is a 1917 popular song. The music was written by A. Emmett Adams, the lyrics [1] by Douglas Furber, following a visit to St. Mary's Church, Southampton, England. [2] It was published by the London company Ascherberg, Hopwood & Crew. The song was revived in 1945, in the film of the same name, by Bing Crosby and Ingrid ...