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Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. [1] [2] [3]
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1912 in Beginners book of Songs with instructions unauthorized publication, which do not credit Hill’s 1893 melody.
Several rhythm and blues sax players had hit instrumental songs, including Big Jay McNeeley, Red Prysock, and Lee Allen, whose "Walking with Mr. Lee" was quite popular. There were several notable blues instrumental songs during the 1950s; Little Walter's rollicking "Juke" was a #1 R&B hit. [1]
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
String Quartet No. 7: String quartet 1984 Ben Johnston [6] String Quartet No. 8: String quartet 1984 Ben Johnston [6] KOAN for String Quartet: String quartet 1984 James Tenney: 83 [7] [8] Embryo Without Tears: Original microtonal Instruments 1984 Kraig Grady: 11 Live music composition and film L.A. Phil's American music weekend [10] Just ...
Stamps and Baxter operated a music school which was the primary source of the thousands of gospel songs they published. Another major part of the corporation was its sponsorship of gospel quartets who sang the company's music in churches throughout the southern United States. At the end of World War II they were sponsoring 35 such quartets.
English: Music and lyrics of the song "Good Morning to All", with third verse "Happy Birthday to You", printed in 1915 in Golden Book Of Favorite Songs unauthorized publication, which do not credit Hill’s 1893 melody.