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Scattered between the countless provocations are explanations designed to make dim people feel smart and slow ones feel quick-witted as he seems to be under the impression that his childish bars might fly over his listeners' heads", mentioning the song's lyrics concerning the meaning of the word "gay" as an example. [2]
Do Re Mi is a musical with music by Jule Styne, lyrics by Betty Comden and Adolph Green, and a book by Garson Kanin, who also directed the original 1960 Broadway production. . The plot centers on a minor-league con man who decides to go (somewhat) straight by moving into the legitimate business of juke boxes and music promoti
Bad Meets Evil released a new song, entitled "Vegas", for the compilation album Shady XV, which was released on November 24, 2014, through Shady Records. In 2015, two new Bad Meets Evil songs were released. The two songs, "All I Think About" and "Raw" appear on the Southpaw Soundtrack, produced by Shady Records.
The song, a continuation of "For the Damaged," is based on Frédéric Chopin's Nocturne in F minor, Op. 55, No. 1, [1] and gained renewed exposure on April 7, 2014 when it was used in Close Rick-counters of the Rick Kind, an episode of the animated television series Rick and Morty, as "Evil Morty's Theme Song", the theme for the character "Evil ...
A still from the song's music video showing the main character, a puppet later named "Norman" by fans. The music video, directed by Charlie White, shows a life-sized animatronic puppet who travels via ambulance to a hospital emergency room following a car crash, being examined by real-life actors as he sings the lyrics to the song before breaking into a frantic dance on the operating table.
"Evil Eye" is a song by Scottish indie rock band Franz Ferdinand. It was released as the third single from the band's fourth studio album, Right Thoughts, Right Words, Right Action, on 28 October 2013. The song was written by Alex Kapranos and Nick McCarthy, recorded during 2013, and produced by Kapranos and Todd Terje. [1]
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The song, a twelve-bar blues, is punctuated with a syncopated backbeat, brief instrumental improvisations, upper-end piano figures, and intermittent blues harp provided by Wolf. [6] The lyrics caution about the "evil" that takes place in a man's home when he is away, concluding with "you better watch your happy home".