Search results
Results from the WOW.Com Content Network
In between those essays, there are poems, journal entries, interviews, photos, and more. [7] Racism. This Bridge Called My Back by Cherríe Moraga and Gloria Anzaldúa is a feminist piece that describes two polarizing views based on skin color, the perspectives of light and dark skin Latin American women. [13]
Gibson uses gender-neutral pronouns, specifically they/them/theirs. [9] Many of their poems are about gender identity, such as "Swing Set" and "Andrew". [10] Gibson has said, regarding gender, "I don't necessarily identify within a gender binary. I've never in my life really felt like a woman and I've certainly never felt like a man.
Present day feminist poetry in North America holds space for a great variety of poets tackling identity, sexuality, and gender issues. Key writings in the recent past include Claudia Rankine 's careful skewering of race related microaggressions in Citizen, [ 61 ] Dorothea Laskey's "ferocious confession" in Rome for example, [ 62 ] and Bhanu ...
This poem, along with other works by Hughes, helped define the Harlem Renaissance, a period in the early 1920s and '30s of newfound cultural identity for blacks in America who had discovered the power of literature, art, music, and poetry as a means of personal and collective expression in the scope of civil rights. [1]
Borderlands/La Frontera is a semi-autobiographical work of prose and poetry, approaching subjects such as race, gender, class, and identity. Literary scholar Ana Louise Keating conceptualizes Anzaldúa’s writings in Borderlands as a form of “poet-shaman aesthetics,” which argues that Anzaldúa’s words are intended to have material ...
Writing in narrative form, she discusses the possibilities and difficulties of coalition and self-identification based on race, class, and gender identity. Although not widely recognized when first published in 1982, this essay has become central to women's and gender studies, sociology, and anthropology in the United States.
Cherríe Moraga [1] (born September 25, 1952) is an influential Chicana feminist writer, activist, poet, essayist, and playwright. [2] [3] A prominent figure in Chicana literature and feminist theory, Moraga's work explores the intersections of gender, sexuality, race, and class, with particular emphasis on the experiences of Chicana and Indigenous women.
The book examines issues of sexual orientation, feminism, race and trans identity. It describes new culture wars playing out in workplaces, universities, schools and homes in the names of social justice, identity politics and intersectionality. [1] The book is an attempt to counter the prevailing views on sexuality, gender, and race.