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The BioShock series is a collection of story-driven first-person shooters in which the player explores dystopian settings created by Ken Levine and his team at Irrational Games. The first two games, BioShock and its direct sequel, BioShock 2 , take place in the underwater city of Rapture in 1960 and 1968, which was influenced heavily by Ayn ...
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Michael Lowenstern (born August 23, 1968) is an American musician, composer and educator, specializing in bass clarinet.He is well known for his YouTube channel Earspasm [1] and for his many recordings featuring the bass clarinet as a solo instrument in classical, jazz, and electronica formats.
Download as PDF; Printable version; In other projects ... Clarinet Concerto No. 1 may refer to: Clarinet Concerto No. 1 (Spohr) Clarinet Concerto No. 1 (Weber) See ...
For a full catalog raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works (especially the early chamber and orchestral music), abandoned works (like the opera Silk or the film score to Goodbye, Mr. Chips), rejected works (like the film score to See No Evil) and withdrawn works (like the Cello Concerto No. 1) see Frédéric Döhl ...
Recent Britain (1997–98), for piano obbligato, and 1–3 of the following: clarinet (or flute, oboe, or violin); bassoon (or cello or trombone); cello (or bassoon or trombone); with tapes by each performer [25'] [84] (see also "Music with tape and/or electronics") False notions of progress (1997), for any 3 instruments
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky. The work was composed in 1918. [ 1 ] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat , as a thank-you gift to the philanthropist and arts patron Werner Reinhart , who was also an amateur clarinetist. [ 2 ]
In New Orleans, Louisiana, Alphonse Picou adapted the piccolo part into a clarinet variation, [2] sometimes considered one of the earliest documented jazz solos. The Picou variations became standard in New Orleans jazz (unusual in a form that values improvisation); many traditional jazz clarinetists from the generation just after Picou until ...