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Vase (1872) manufactured by the Venice & Murano Glass & Mosaic Co. (Victoria and Albert Museum) Millefiori (Italian: [ˌmilleˈfjoːri]) is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). [1]
Opaline glass is a style of antique glassware that was produced in Europe, particularly 19th-century France. It was originally made by adding materials such as bone ash to lead-crystal, creating a semi-opaque glass with reddish opalescence .
Selenium, like manganese, can be used in small concentrations to decolorize glass, or in higher concentrations to impart a reddish color, caused by selenium nanoparticles dispersed in glass. It is a very important agent to make pink and red glass. When used together with cadmium sulfide, [9] it yields a brilliant red color known as "Selenium Ruby".
Produced between 1930 and 1940, this Depression glass pattern features delicate, scalloped edges resembling flower petals, often enhanced with pastel tints or hand-painted details. Common colors ...
A prominent sub-category of Depression Glass, Elegant glass, is of considerably better quality, often including polished mold seams, and hand-decoration such as cut patterns, etched patterns, and painted patterns. It was distributed through jewelry and department stores from the 1920s and continuing after the Great Depression through the 1950s ...
Polychrome brickwork is a style of architectural brickwork which emerged in the 1860s and used bricks of different colours (brown, cream, yellow, red, blue, and black) in patterned combinations to highlight architectural features. These patterns were made around window arches or were just applied on walls.
The choice of paint color on the walls in Victorian homes was said to be based on the use of the room. Hallways that were in the entry hall and the stair halls were painted a somber gray so as not to compete with the surrounding rooms. Most people marbleized the walls or the woodwork.
The paint fragment from the base layer of the “Mona Lisa" that was analyzed was barely visible to the naked eye, no larger than the diameter of a human hair, and came from the top right-hand ...
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