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The music of Myanmar (or Burma) (Burmese: မြန်မာ့ဂီတ) shares many similarities with other musical styles in the region. Traditional music is melodic, having its own unique form of harmony, often composed with a 4 4 (na-yi-se), a 2 4 (wa-let-se) or a 8 16 (wa-let-a-myan) time signature. In Burmese, music segments are combined ...
Burmese traditional festivals are based on the traditional Burmese calendar and dates are largely determined by the moon's phase. [citation needed] Burmese culture is most evident in villages where local festivals are held throughout the year, the most important being the pagoda festival. [1] [2]
Burmese girls perform the Myanmar traditional yein dance with Myanmar dress in the opening ceremony of the Mandalay Thingyan Festival,2012. On New Year's Day, people offer food donations called satuditha (စတုဒိသာ) at various places. They typically provide free food to those participating in the New Year's celebrations.
The Shwesayan Pagoda Festival is held annually from the full moon day of Tabaung to the 10th waning moon (from 5 March to 14). [9] The Shwesayan Pagoda Festival gained widespread recognition in Myanmar, thanks to Sein Tin Han, who composed the festival's traditional song called "Htanywet Pahtee" (ထန်းရွက်ပုတီး, 'Palm Leaf Beads'), which was performed by Nyo Nyo San ...
[6] [7] [9] In the evening, the festival comes alive with the exciting main hot-air balloon competition. These balloons are decorated with hundreds of candles and fireworks attached at the bottom are lighted once they fly into the sky. [3] [6] Thousands of people celebrating the Hot Air Balloon Festival held in Taunggyi, Shan State, Myanmar
Burmese traditional music is atypical in Southeast Asian music, as it is characterised by sudden shifts in rhythm and melody as well as change in texture and timbre. [8] It employs different ways and occasions of playing music in Myanmar. Historically, the Hsaing-wine is played for the auspicious ceremonies and royal presence.
However, this approach has been limited by the Western notation system, which cannot capture the flexibility of Burmese rhythm, the two-part style, and a loose floating rhythmic organisation, including free-style embellishments, all of which distinguish traditional Burmese music from other musical traditions in the region (e.g., Thailand, China ...
One of his famous songs is "Tee Ree Ree", a song about Pa'O solidarity. [8] This song is still sung at traditional festivals today. He is on the cover of Guitars of the Golden Triangle: Folk and Pop Music of Myanmar (Burma), Vol. 2. [9] Some of the artists appearing on the compilation cover songs he wrote.