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August Bournonville (21 August 1805 – 30 November 1879) was a Danish ballet master and choreographer. He was the son of Antoine Bournonville , a dancer and choreographer trained under the French choreographer, Jean Georges Noverre , and the nephew of Julie Alix de la Fay , née Bournonville, of the Royal Swedish Ballet .
Dinna Bjørn (born 14 February 1947) is a Danish ballet dancer and choreographer. She has specialized dancing and directing the ballets of August Bournonville. Bjørn has also created five Hans Christian Andersen ballets for the Pantomime Theatre in Copenhagen's Tivoli.
Danish ballet dancer Augusta Wilhelmine Nielsen (20 February 1822–29 March 1902) was a Danish ballet dancer who performed in the early ballets of August Bournonville . Biography
August Bournonville. The following is a list of ballets by Danish ballet master and choreographer August Bournonville (1805–1879). 63 Ballets. 1829. Acclaim to the Graces (Gratiernes Hyldning). Divertissement. Music: M.E. Caraffa, W.R. v. Gallemberg, and F. Sor. First performed on Tuesday, 01-09-1829. The Night Shadow La Somnambule ...
August Bournonville (1805–1879), ballet dancer and choreographer; Gudrun Bojesen (1976–), principal dancer, Royal Danish Ballet; Dinna Bjørn (1947–), principal dancer, ballet mistress, Royal Danish Ballet; Marie Christine Bjørn (1763–1837), outstanding ballerina, Royal Danish Theatre; Ida Brun (1792–1857), dancer, mime artist, singer
August Bournonville, 1841 [1] Le Conservatoire, or A Marriage by Advertisement (Konservatoriet eller et Avisfrieri) is a two-act vaudeville ballet created by the Danish choreographer and ballet master August Bournonville in 1849 for the Royal Danish Ballet. The ballet's setting is a dance studio at the Conservatoire de Paris.
Toni Lander née Pihl Petersen (1931–1985) was a Danish ballerina who specialized in the ballets of August Bournonville. After becoming a solo dancer with the Royal Danish Ballet in 1950, she was a guest dancer with the Original Ballet Russe in 1951. She was then engaged by the Paris Opera Ballet until 1954.
What is considered today to be the "Bournonville style" is essentially the unfiltered 19th century technique of the French school of classical dance. The technique features very basic use of arms, usually keeping them in preparatoire position. Perpetual use of simple diagonal epaulements. Vocabulary for men is essentially varied forms of beats.