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An empty hotel hallway, an example of a liminal space. In Internet aesthetics, liminal spaces are empty or abandoned places that appear eerie, forlorn, and often surreal. . Liminal spaces are commonly places of transition, pertaining to the concept of limina
Creepy Creatures is the first book in R. L. Stine's Goosebumps Graphix series. It is a comic book that contains three stories; The Werewolf of Fever Swamp adapted by Gabriel Hernandez, The Scarecrow Walks At Midnight adapted by Greg Ruth and The Abominable Snowman of Pasadena adapted by Scott Morse, all based on the Goosebumps books by R. L. Stine.
Dark fantasy, also called fantasy horror, is a subgenre of fantasy literary, artistic, and cinematic works that incorporates disturbing and frightening themes. The term is ambiguously used to describe stories that combine horror elements with one or other of the standard formulas of fantasy.
Thingmaker, also called Creepy Crawlers, is an activity toy made by Mattel, beginning in 1964. The toy consists of a series of die-cast metal molds resembling various bug-like creatures , into which is poured a liquid chemical substance called "Plasti-Goop", which comes in assorted colours.
An image from a blog on the Russian Sleep Experiment that shows a lab. The Russian Sleep Experiment is a creepypasta which tells the tale of 5 Soviet-era test subjects being exposed to an experimental sleep-inhibiting stimulant, and has become the basis of an urban legend. [1]
The first book contains 29 stories that Schwartz collected from folklore books, collections, and archives, as well as from interviews with informants. [9] [10] The stories in this book include:
Milo from the book becomes Milo Oblong, the de facto main character in the TV series; Creepy Susie and Helga both appear as his friends, while the Debbies appear as snobbish enemies. (Helga, in the series, is obsessed with them, though out of a desire to join them rather than hurt them; however, she does at one point join them as in the book.)
Historically, the divination ritual encouraged young women to walk up a flight of stairs backward holding a candle and a hand mirror, in a darkened house. As they gazed into the mirror, they were supposed to be able to catch a view of their future husband's face. [1]