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For example, a C major chord is made up of the notes C, E, and G. If the notes are held out the entire duration of a measure, the composer or orchestrator will have to decide what instrument(s) play this chord and in what register. Some instruments, including woodwinds and brass are monophonic and can only play one note of the chord at a time.
The first is a Baroque orchestra (i.e., J.S. Bach, Handel, Vivaldi), which generally had a smaller number of performers, and in which one or more chord-playing instruments, the basso continuo group (e.g., harpsichord or pipe organ and assorted bass instruments to perform the bassline), played an important role; the second is a typical classical ...
Treatise on Instrumentation. Grand traité d’instrumentation et d’orchestration modernes, abbreviated in English as the Treatise on Instrumentation (sometimes Treatise on Orchestration) is a technical study of Western musical instruments written by Hector Berlioz.
A chord in which the notes are not all played at once, but in some more or less consistent sequence. They may follow singly one after the other, or two notes may be immediately followed by another two, for example. See also arpeggio, which as an accompaniment pattern may be seen as a kind of broken chord; see Alberti bass. bruscamente
Strauss wrote on a wide range of subjects, some of which had been previously considered unsuitable to be set to music, including literature, legend, philosophy and autobiography. In doing so, he elevated orchestral technique to a new level of complexity, taking realism in orchestral depiction to unprecedented lengths, widening the expressive ...
These laws are true to the extent that the ear is sensitive to the frequency and amplitude of the acoustic waves, and further, is able to resolve the differences in their frequency. In modern times, the sensitivity of human hearing to the phase of tone components has been extensively investigated. [8] Controversy has led to this ...
Much of the work has a feeling of timelessness and suspense, because of its rhythmic ambiguity and whole-tone-based dominant harmonies derived from Scriabin's "mystic chord" (since the whole-tone scale has no leading-tones, any harmony based on it will not lean toward any key in particular, allowing Scriabin to write pages of music with little to no tonal resolution).
Vibration, standing waves in a string. The fundamental and the first 5 overtones in the harmonic series.. A vibration in a string is a wave. Resonance causes a vibrating string to produce a sound with constant frequency, i.e. constant pitch.