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Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
The snow or "flitter" was created by use of bone chips or pieces of porcelain, sand or even sawdust. As they became more sophisticated, the glass became thinner, the bases were lighter (Bakelite was popular during the Art Deco period) and the snow was made out of particles of gold foil or non-soluble soap flakes. For health and safety reasons ...
Ancient glass trade. A Hellenistic glass amphora excavated from Olbia, Sardinia, dated to the 2nd century BC. The ways in which glass was exchanged throughout ancient times is intimately related to its production and is a stepping stone to learning about the economies and interactions of ancient societies. Because of its nature it can be shaped ...
Florentine craft box with decoupage and painted gold gilding. Florentine crafts made in Florence, Italy, are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings.
Lost-wax casting. Lost-wax casting – also called investment casting, precision casting, or cire perdue ( French: [siʁ pɛʁdy]; borrowed from French) [ 1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
The history of glass-making dates back to at least 3,600 years ago in Mesopotamia. However, most writers claim that they may have been producing copies of glass objects from Egypt. [ 1] Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. [ 2]
Mechanical pressing of glass reduced the time and labor necessary to make glass products, which lowered costs and made glass products available to more of the public. An 1884 U.S. government report considered mechanical pressing and a new formula for glass to be the two great advances in American glassmaking during the 19th century. [25]
There are two main types of mosaic surviving from this period: wall mosaics in churches, and sometimes palaces, made using glass tesserae, sometimes backed by gold leaf for a gold ground effect, and floor mosaics that have mostly been found by archaeology. These often use stone pieces, and are generally less refined in creating their images.