Search results
Results from the WOW.Com Content Network
Color symbolism in art, literature, and anthropology refers to the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [1] and even within the same culture in different time periods. [2] The same color may have very different associations within ...
Nazism. The swastika was the first symbol of Nazism and remains strongly associated with it in the Western world. The 20th-century German Nazi Party made extensive use of graphic symbols, especially the swastika, notably in the form of the swastika flag, which became the co-national flag of Nazi Germany in 1933, and the sole national flag in 1935.
The essays in Krieg und Krieger called for a revolutionary reorganization of German society, which was to be led by "heroic" leaders who would create a "new moral code" based upon the idea that life was a never-ending, Social Darwinian "struggle" that could only be settled with violence. [96]
White Writing: On the Culture of Letters in South Africa is a collection of essays by Nobel-laureate J. M. Coetzee, originally published in 1988, and in 2007 was reprinted, with a new introduction, by Pentz Publishers ( ISBN 9780980270006 ). "Since it first appeared in 1988, JM Coetzee's first volume of criticism has emerged as an indispensable ...
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. [1] The term typography is also applied to the style, arrangement, and ...
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
New Criticism. New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
Thus, a symbol denotes by virtue of its interpretant. Its sign-action (semiosis) is ruled by habit, a more or less systematic set of associations that ensures its interpretation. For Peirce, every symbol is general, and that which we call an actual individual symbol (e.g., on the page) is called by Peirce a replica or instance of the symbol. [45]