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Polysemy (/ pəˈlɪsɪmi / or / ˈpɒlɪˌsiːmi /; [1][2] from Ancient Greek πολύ- (polý-) 'many' and σῆμα (sêma) 'sign') is the capacity for a sign (e.g. a symbol, a morpheme, a word, or a phrase) to have multiple related meanings. For example, a word can have several word senses. [3] Polysemy is distinct from monosemy, where a ...
[10] [11] [12] Metalepsis uses a familiar word or a phrase in a new context. [13] For example, "lead foot" may describe a fast driver; lead is proverbially heavy, and a foot exerting more pressure on the accelerator causes a vehicle to go faster (in this context unduly so). [14] The figure of speech is a "metonymy of a metonymy". [13]
Colorless green ideas sleep furiously was composed by Noam Chomsky in his 1957 book Syntactic Structures as an example of a sentence that is grammatically well-formed, but semantically nonsensical. The sentence was originally used in his 1955 thesis The Logical Structure of Linguistic Theory and in his 1956 paper "Three Models for the ...
The three positions of decoding proposed by Hall are based on the audience's conscious awareness of the intended meanings encoded into the text. In other words, these positions – agreement, negotiation, opposition – are in relation to the intended meaning. However, polysemy means that the audience may create new meanings out of the text.
Hypernymy and hyponymy are the semantic relations between a generic term (hypernym) and a specific instance of it (hyponym). The hypernym is also called a supertype, umbrella term, or blanket term. [1][2][3][4] The hyponym is a subtype of the hypernym. The semantic field of the hyponym is included within that of the hypernym. [5]
Natural semantic metalanguage (NSM) is a linguistic theory that reduces lexicons down to a set of semantic primitives. It is based on the conception of Polish professor Andrzej Bogusławski. The theory was formally developed by Anna Wierzbicka at Warsaw University and later at the Australian National University in the early 1970s, [1] and Cliff ...
Synaesthesia (rhetorical device) Synaesthesia is a rhetorical device or figure of speech where one sense is described in terms of another. [ 1] This may often take the form of a simile. [ 2] One can distinguish the literary joining of terms derived from the vocabularies of sensory domains from synaesthesia as a neuropsychological phenomenon.
Joycean word play frequently seeks to imply linguistic and literary history on a single plane of communication. It therefore denies readers the simple denotative message traditional in prose in favor of the ambiguity and equivocal signification of poetry. This is one of a whole series of adjectives based on authors' names, such as Brechtian ...