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1920s in jazz. The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. [1] Dances such as the Charleston and the Black Bottom were very popular during ...
The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
Coming to prominence in the 1920s as an inventive trumpet and cornet player, he was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. [5] Around 1922, Armstrong followed his mentor, Joe "King" Oliver, to Chicago to play in Oliver's Creole Jazz Band [als; fr].
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1920s that are considered standards by at least one major book publication or reference work. Some of the tunes listed were already well-known standards ...
Gene Austin, Jimmy McHugh, Irving Mills. " When My Sugar Walks Down the Street (All the Little Birdies Go Tweet-Tweet-Tweet) " is a 1920s jazz standard, written by Gene Austin, Jimmy McHugh and Irving Mills in 1924. The Victor Talking Machine Company (which years later would be bought by RCA and renamed RCA Victor at the end of 1928) made the ...
Allowing jazz to rise up in American culture brought many unique things to music in 1920. New instrumental, orchestral, and rhythmic techniques were introduced, as well as twelve-bar blues, emotional expressiveness, a new scale, and unique forms (Murchison 98). In 1917, many jazz record companies began to conceal their identity because racial ...
Paul Whiteman and His Orchestra (vocal by Jack Fulton), recorded on September 18, 1928. [4]Django Reinhardt - recorded in March 1935. [5]Benny Goodman and His Quartet - recorded on November 18, 1936 for Victor Records, catalog No. 25473A.
Copenhagen (song) 1924 Gennett release by the Wolverine Orchestra featuring Bix Beiderbecke. Copenhagen is a jazz standard composed in 1924 by bandleader Charlie Davis and first recorded in that year by the Wolverine Orchestra featuring Bix Beiderbecke in a foxtrot tempo. The title refers to Copenhagen tobacco, favored by Davis's bass player.