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In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope.
Hamlet, Act IV, Scene V (Ophelia Before the King and Queen), Benjamin West, 1792. In Ophelia's first speaking appearance in the play, [3] she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants.
Eurydice (/ j ʊəˈr ɪ d ɪ s iː /; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the Auloniad wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic practices. One major point of contact was the ancient Crimean city of Olbia.
Opheltes' story perhaps played an integral part of the lost Greek epic Thebaid (c. 8th century BC or early 7th century BC). [9] The earliest surviving reference to the story occurs in a fragment of Simonides (c. 556–468 BC), preserved by Athenaeus, which describes Opheltes (referred to by Athenaeus as "the hero Archemorus") as a "suckling child", mourned as he dies. [10]
The introduction of the mountain nymph, Echo, into the story of Narcissus, the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention. Ovid's version influenced the presentation of the myth in later Western art and literature .
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Ophelia is a feminine given name, probably derived from Ancient Greek ὠφέλεια (ōphéleia, "benefit"). [ 1 ] [ 2 ] The name is best known as a character from William Shakespeare 's Hamlet who has a tragic end.