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This is a list of notable compositions for the flute (particularly the Western concert flute). Flute alone. C. P. E. Bach: Sonata in A minor (1763) J.S. Bach:
"Flute" is a song by Australian electronic DJ and record production duo New World Sound and Dutch DJ and Record producer Thomas Newson. The song was released in Australia as a digital download in November 25, 2013 through Doorn Records, Spinnin Records and Ministry of Sound Australia .
The Old Orange Flute (also spelt Auld Orange Flute) is a folk song originating in Ireland.It is often associated with the Orange Order.Despite this, its humour ensured a certain amount of cross-community appeal, especially in the period before the commencement of The Troubles in the late 1960s, and it has also been recorded by artists better-known for songs associated with Irish nationalism ...
Kevin Crawford (born in Birmingham, England) is an Irish flute, [1] tin whistle, low whistle and bodhrán player. [2] He was born in England to Irish parents from Milltown Malbay , County Clare . He later moved to West Clare to improve his music and become more exposed to traditional Irish music .
Theo Wargo/Getty Images Lizzo is a one-of-a-kind talent: She sings, raps and is a trained flutist. The “About Damn Time” singer performed at the Capitol One Arena in Washington, D.C., on Tuesday.
KOLT (1320 AM) was a radio station in Scottsbluff, Nebraska, United States, which operated from 1930 to 2019. It was last owned by Legacy Broadcasting, also known as Hometown Family Radio, and carried a talk radio format. KOLT was the oldest radio station in Scottsbluff, signing on as KGKY in 1930 before becoming KOLT in 1947.
The bass flute is an octave lower than the concert flute, and the contrabass flute is an octave lower than the bass flute. Less commonly seen flutes include the treble flute in G, pitched one octave higher than the alto flute; soprano flute, between the treble and concert; and tenor flute or flûte d'amour in B ♭ , A or A ♭ [ citation ...
The Flute Concerto has been praised by music critics. Reviewing the world premiere, Bernard Holland of The New York Times wrote, "It is a one-movement work that makes a musical virtue of its technical cleverness. The flute's natural reticence in big formats is a problem met head on, not simply avoided by separating solo instrument from orchestra."