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A table of alchemical symbols from Basil Valentine's The Last Will and Testament, 1670 Alchemical symbols before Lavoisier Alchemical symbols were used to denote chemical elements and compounds, as well as alchemical apparatus and processes, until the 18th century.
Glauber's salt – sodium sulfate.Na 2 SO 4; Sal alembroth – salt composed of chlorides of ammonium and mercury.; Sal ammoniac – ammonium chloride.; Sal petrae (Med. Latin: "stone salt")/salt of petra/saltpetre/nitrate of potash – potassium nitrate, KNO 3, typically mined from covered dungheaps.
A classic diagram has one square inscribed in the other, with the corners of one being the classical elements, and the corners of the other being the properties. The opposite corner is the opposite of these properties, "hot – cold" and "dry – wet".
Like the periodic table, the list below organizes the elements by the number of protons in their atoms; it can also be organized by other properties, such as atomic weight, density, and electronegativity. For more detailed information about the origins of element names, see List of chemical element name etymologies.
Periodic tables usually at least show the elements' symbols; many also provide supplementary information about the elements, either via colour-coding or as data in the cells. The above table shows the names and atomic numbers of the elements, and also their blocks, natural occurrences and standard atomic weights. For the short-lived elements ...
Inner Garden Alchemy Research Group: a non-profit foundation that aims to transmit the alchemical tradition. Alchemy on In Our Time at the BBC; Dictionary of the History of Ideas: Alchemy; Book of Secrets: Alchemy and the European Imagination, 1500-2000 – A digital exhibition from the Beinecke Rare Book and Manuscript Library at Yale University
Alchemy is a game of strategy and wit. Carefully place runes and turn the entire board to gold. You can only place runes next to pieces of the same color or shape. However, you can place a rune of ...
The Mirror of Alchimy appeared at a time when there was an explosion of interest in Bacon, magic and alchemy in England. The evidence of this is seen in popular plays of the time such as Marlowe's Dr. Faustus (c. 1588), Greene's Friar Bacon and Friar Bungay (1589), and Jonson's The Alchemist (1610). [ 7 ]