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Although glass is unaffected by compression in the printing press, it will break under tension. For that reason, vitreographs are always printed on an etching press, whose rigid bed will support the glass plate firmly. [6] In addition, the press bed must be level and working conditions in the print shop immaculate.
MacLaughlan was a practiced printmaker of considerable skill, as well as a teacher, and it was he who first taught Webster the craft of etching. It is said that Webster first became interested in etching after viewing a portfolio of prints made by the visionary French artist Charles Méryon (1821–1868) at the Bibliothèque Nationale.
In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called engraving; or through the corrosive action of acid – in which case the process is known as etching.
The essential tools required are a squeegee, a mesh fabric, a frame, and a stencil. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing. Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal.
Etching by goldsmiths and other metal-workers in order to decorate metal items such as guns, armour, cups and plates has been known in Europe since the Middle Ages at least, and may go back to antiquity. The elaborate decoration of armour, in Germany at least, was an art probably imported from Italy around the end of the 15th century—little ...
Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
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