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James Lee Burke (born December 5, 1936) is an American author, best known for his Dave Robicheaux series. He has won Edgar Awards for his novels Black Cherry Blues (1990), Cimarron Rose (1998), and Flags on the Bayou (2024). [1] He has also been presented with the Grand Master Award from the Mystery Writers of America.
Dave Robicheaux (pronounced "ROW-bih-show") is a fictional character in a series of mystery novels by American crime writer James Lee Burke. He first appeared in The Neon Rain (1987). Biography
The New Iberia Blues is a crime and mystery novel by American author James Lee Burke. It is the twenty-second installment in the Dave Robicheaux series and is set in Louisiana. [1] [2] It was named one of the best crime novels of 2019 by The New York Times Book Review. [3]
A Private Cathedral is a novel by American author James Lee Burke, published in 2020.It is part of the Dave Robicheaux series, featuring the character in a complex narrative that blends crime with elements of the supernatural.
Patricia Aakhus (1952–2012), The Voyage of Mael Duin's Curragh Rachel Aaron, Fortune's Pawn Atia Abawi Edward Abbey (1927–1989), The Monkey Wrench Gang Lynn Abbey (born 1948), Daughter of the Bright Moon Laura Abbot, My Name is Nell Belle Kendrick Abbott (1842–1893), Leah Mordecai Eleanor Hallowell Abbott (1872–1958), poet, novelist and short story writer Hailey Abbott, Summer Boys ...
Heaven's Prisoners is a crime novel written by James Lee Burke and published by Simon & Schuster in 1988. The fictional work follows Dave Robicheaux, a retired police officer and army lieutenant, who finds himself in a situation where he must protect his wife and a plane-crash survivor from a local drug kingpin.
While fishing on a back country bayou, New Orleans Police Department officer Dave Robicheaux finds a body. Robicheaux, once a U.S. Army infantry lieutenant who fought in the Vietnam War, [1] becomes involved with drug dealers, mafia chieftains, and a former army general with shady arms dealings in Central America.
Writing for The New York Times, Richard Bernstein was intrigued by the book but found it, "so devoted to its own appearances, that it comes across as almost a commentary on itself rather than as something real..." [4] A reviewer in the Houston Chronicle stated, "James Lee Burke scores again with great characters." [5]
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