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Armenian cross: Symbol of the Armenian Apostolic Church, and a typical feature of khachkars. Also known as the "Blooming Cross" owing to the trefoil emblems at the ends of each branch. A khachkar (cross-stone) is a popular symbol of Armenian Christianity. Bolnisi cross: Ancient Georgian cross and national symbol from the 5th century AD.
Namus was the first Armenian silent black and white film (1926, Namus at IMDb ), directed by Hamo Beknazarian and based on a play of Alexander Shirvanzade describing the ill fate of two lovers, who were engaged by their families to each other since childhood, but because of violations of namus (a tradition of honor), the girl was married by her ...
Armenian cultural life slowed down at the end of the 11th and beginning of the 12th centuries, but it experienced a new boom in the 13th and 14th centuries, not only in the country itself but also in the new regions to which ethnic Armenians had migrated. Cilicia was the most vital place among these regions to Armenian civilization. [76] [77]
The crypt of Hovhannes Golod (d. 1741), located under the church, is decorated with black-and-white Kütahya and Dutch tiles. [9] The original church, richly decorated with tiles, included French, Italian, Chinese porcelain, and Tunisian tiles. They were probably added during an 18th century restoration. [5] [9]
The Armenian eternity sign ( ֎ ֍ , Armenian: Հավերժության նշան, romanized: haverzhut’yan nshan) or Arevakhach (Արեւախաչ, "Sun Cross") is an ancient Armenian national symbol and a symbol of the national identity of the Armenian people. [1]
The main church—the so-called White Church—is built on a Greek cross plan. It has an umbrella-shaped dome and a bell tower. There is also a Black Church, the oldest part of the ensemble, which is also crowned by a dome. The exterior artwork consists of cut-stone fascia of different colours, an Armenian architectural art form.
Armenian art is the unique form of art developed over the last five millennia in which the Armenian people lived on the Armenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries. [ 1 ]
The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]