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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Scholarship in comparative literature includes, for example, studying literacy and social status in the Americas, medieval epic and romance, the links of literature to folklore and mythology, colonial and postcolonial writings in different parts of the world, and asking fundamental questions about the definition of literature itself. [4]
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
A number of literary works have commented negatively on the practice of comparison. For example, 15th-century English poet John Lydgate wrote "[o]dyous of olde been comparsionis", [ 15 ] which was reflected by many later writers, such as William Shakespeare , who included the line in Much Ado About Nothing , "comparisons are odious". [ 16 ]
A common definition of metaphor can be described as a comparison that shows how two things, which are not alike in most ways, are similar in another important way. In this context, metaphors contribute to the creation of multiple meanings within polysemic complexes across different languages. [ 33 ]
In other words, comparative subdeletion occurs when comparative deletion does not because the constituents being compared are distinct, e.g. a. He has more cats than he has __ dogs. b. Fewer women showed up than __ men wanted to dance. c. You were happier than I was __ sad. b. The table is as wide as it is __ tall.
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
The term "antithesis" in rhetoric goes back to the 4th century BC, for example Aristotle, Rhetoric, 1410a, in which he gives a series of examples. An antithesis can be a simple statement contrasting two things, using a parallel structure: I defended the Republic as a young man; I shall not desert her now that I am old. (Cicero, 2nd Philippic, 2 ...