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Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism , earlier associated with Chekhov , Ibsen , and Strindberg .
Long Day's Journey into Night is a play in four acts written by American playwright Eugene O'Neill in 1939–1941 and first published posthumously in 1956. [5] It is widely regarded as his magnum opus and one of the great American plays of the 20th century. [6]
The establishment of Eugene O’Neill National Historic Site is justified by two reasons. First, the site is needed to commemorate Eugene O’Neill, one of the greatest writers in American literature. Eugene O’Neill lived in Tao House from 1937 to 1944, and wrote his most brilliant playwrights.
Mourning Becomes Electra is a play cycle written by American playwright Eugene O'Neill.The play premiered on Broadway at the Guild Theatre on 26 October 1931 where it ran for 150 performances before closing in March 1932, starring Lee Baker (Ezra), Earle Larimore (Orin), Alice Brady (Lavinia) and Alla Nazimova (Christine).
Pages in category "Plays by Eugene O'Neill" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. A. Ah, Wilderness!
Desire Under the Elms is a 1924 play written by Eugene O'Neill. Like Mourning Becomes Electra, Desire Under the Elms signifies an attempt by O'Neill to adapt plot elements and themes of Greek tragedy to a rural New England setting. It was inspired by the myth of Phaedra, Hippolytus, and Theseus.
The Emperor Jones is a 1920 tragic play by American dramatist Eugene O'Neill that tells the tale of Brutus Jones, a resourceful, self-assured African American and a former Pullman porter, who kills another black man in a dice game, is jailed, and later escapes to a small, backward Caribbean island where he sets himself up as emperor.
The play is a sequel to O'Neill's Long Day's Journey into Night, with the Jim Tyrone character as an older version of Jamie Tyrone. He began drafting the play late in 1941, set it aside after a few months and returned to it a year later, completing the text in 1943 – his final work, as his failing health made it physically impossible for him ...
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